Posté le 3 août 2010 par Fred
Sortie de Game Overtime
Posté le 31 décembre 2013 par Fred.
Anyway, I make sure that every detail in my music has meaning and absolutely no easy solution.
This is electronic music without much of the big and pseudo non-linear sound we expect now, but with jumpy percussive melodic instruments of an acoustic nature, often kept in their original resonance, but sometimes going through a sort of harmonic dub or electronic tape works of a nature that I don't remember hearing.
Berger Rond - Game Overtime
I enjoy just as much the process of working with found recordings or improvisations from much appreciated collaborators (I worked this time with Chris Vaisvil, Frédéric Szymañski, Jurica Jelic, Jeff Gburek, Greg Hooper and Jörg Fischer) who had already recorded their own work or improvised on my pieces.
The idea of mixing small fragments from recordings that are not meant to be together is one fascination that I don't lose easily. New life forms emerge out of sounds recorded all differently, taken out of their previously steady and playable structure. Rigorous composition of a different kind is my first priority.
Vincent Bergeron
#1 - piano de Greg Hooper, "without risk there is no profit"
#2 - guitares microtonales (Chris Vaisvil - Fretless Classical Guitar, Chris Vaisvil - Please Excuse Me), percussions (Jörg Fischer Squarci et quelques sons de Floor Tom Workout, sur Spring Spleen and twelve other pieces) et basse fretless de Jurica Jelic.
#3 - guitares électriques de Frédéric Szymañski
#4 - quelques bouts de Kenneth Gaburo, Tape Play (For Harry)
#7 - guitare électrique et atmosphérique de Jeff Gburek (Feldmonkesque)
